Thursday, August 26, 2021

"Time -- he's waiting in the wings"

I liberated this illustration from the depths of the infinite forbidden zone known as the notional environment of cyberspace.  I would give credit to its creator if I knew the identity, but, since I do not, I simply will say, "thank you .... you do good work .... I like your work." It seems to represent to me a creature whose name is Memory trying to find its way back to its owner .... or whatever.

"Memories light the corners of my mind"

Rutger Hauer was a Dutch actor and an environmentalist (although I think the role of environmentalist is the more important of the two and should be noted first) who died in 2019 of undisclosed causes at the age of 75. His most well-known role, many would argue, was in the 1982 film, "Blade Runner," as the self-aware replicant Roy Batty.

"Blade Runner" was an adaptation of Philip K. Dick's 1968 science fiction novel, "Do Androids Dream of Electric Sheep?" The film takes place in a dystopian future Los Angeles of 2019, in which synthetic humans known as replicants are bio-engineered by a powerful corporation to work at space colonies. When a fugitive group of advanced replicants led by Batty escapes back to Earth, burnt-out police officer Rick Deckard agrees to hunt them down.

Batty's body begins to fail as the end of his lifespan nears -- planned obsolescence, you understand. As the film draws toward its conclusion, he saves Deckard's life and, as he is dying, Batty delivers a masterful monologue about his memories:

"I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears in rain. Time to die."

The monologue had been composed by screenwriter David Peoples and altered by Hauer. An earlier version read: "I've known adventures, seen places you people will never see, I've been Offworld and back .... frontiers! I've stood on the back deck of a blinker bound for the Plutition Camps with sweat in my eyes watching stars fight on the shoulder of Orion .... I've felt wind in my hair, riding test boats off the black galaxies and seen an attack fleet burn like a match and disappear. I've seen it, felt it ...."

The original script, before Hauer's rewrite, was: "I've seen things .... seen things you little people wouldn't believe. Attack ships on fire off the shoulder of Orion bright as magnesium .... I rode on the back decks of a blinker and watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments .... they'll be gone."

Hauer said later that he "put a knife" to the final lines to cut the "opera talk" and to show Batty wanted to "make his mark on existence .... the replicant in the final scene, by dying, shows Deckard what a real man is made of ...."

How many of us think similar thoughts, I have no idea. In a self-centered way, I think about it frequently, of how my memories -- the recollection of my experiences -- will be lost when I die. At some point along the way, I began to understand it as one of the things we all have in common. Our memories, I assume, disappear into oblivion when we depart our lives on Earth. Our lives intermingle, but each and every one of us is an entity onto itself .... onto ourself.

I guess in a sense of finality, Hauer might be described as an editor with a sharp knife, an environmentalist who put his money where his mouth was and an actor who could bridge the distinction between a replicant and a very human being.

Watch the film and read the novel, if you are so inclined and have not already done so, and think about that final, brief soliloquy and your own memories.

Perhaps, it is for the best our memories fade into oblivion when our switch is flicked off .... but / but / but the simple thought of it is ever so annoying and frustrating ....



Saturday, August 21, 2021

"He say I know you, you know me"

This is the once-upon-a-time Metropolitan Stadium in Bloomington, Minnesota. The Mall of America now rests atop the former location of the "Old Met." This is how it looked the evening of August 21, 1965, during the only Minnesota appearance by The Beatles. The stage, you might gather, is sort of in the middle of the frame on the left side and the almost-visible, miniscule black dots on it (listed according to my preferences) are none other than John Lennon, George Harrison, Ringo Starr and Paul McCartney. The photograph came from the Minnesota Historical Society.

The night the "Fab Four" came to town

Had you driven by Metropolitan Stadium in Bloomington, Minnesota, 56 years ago this evening, you might have thought by the measure of the noise emanating from the "Old Met" that the Minnesota Twins baseball team was massacring (metaphorically) the New York Yankees.

In fact, the Twins' locker room was occupied the evening of August 21, 1965, by four individuals more familiar with "football" (soccer) and cricket than with baseball.  Although The Beatles toured the United States three times between 1964 and 1966, this was the only stop by the "Fab Four" in Minnesota. An estimated 25,000 to 30,000 fans were at the event, something less than the nearly 46,000 seating capacity by the time of the concert.

Other than the performance itself, the highlights of the appearance were a press conference by "the lads," the presentation to George Harrison of a new Rickenbacker 360-12, an electric 12-string guitar in a Fireglo red sunburst finish, and the apparent after-midnight presence of a young lady in Paul McCartney's room at the Leamington Motor Inn. The other three Beatles reportedly had gone to bed (and right to sleep) after the concert.

For those who keep score, the guitar was used on "If I Needed Someone" on 1965's Rubber Soul album.

I suppose it is noteworthy to also mention that prior to the concert, all four took saunas for the first time, according to the stadium clubhouse manager Ray Crump, and played roulette with Brian Epstein for the proceeds of the souvenir programs. Tickets for the concert were priced at $2.50, $3.50, $4.50 and $5.50, and The Beatles were paid $50,000.

The setlist that evening featured 11 songs: "She's A Woman" / "I Feel Fine" / "Dizzy Miss Lizzy" / "Ticket To Ride" / "Everybody's Trying To Be My Baby" / "Can't Buy Me Love" / "Baby's In Black" / "I Wanna Be Your Man" / "A Hard Day's Night" / "Help!" / "I'm Down" ....

"Come Together" was not among the tunes performed that night, but it is here today in two renditions, one by The Beatles, acting goofy and having fun, and the other a cover by Sershen&Zaritskaya, who almost always are acting goofy and having fun.

In case you are curious, no, I was not in attendance at the concert .... but, would love to have been had it been possible .... "and it's too late, baby," as Carole King sang, to ever witness The Beatles perform any song live ....



Something special ....