The last verse of
"Sailing to Byzantium"
by William Butler Yeats
Once out of nature I shall never take
My bodily form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.
Sometimes
I wonder .... or one, two, six, nineMy bodily form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.
Sometimes
I wonder what I would wish to change in the life I have lived to this point in time.
Would
I wish I could have attended a thousand rock concerts?
Would
I wish I could have been present at a thousand critical, historic moments in
the march of life since the advent of mankind? You know .... my own time machine to witness all, to know all ....
Would
I wish I could have fallen in love with a thousand women?
Would
I wish I could have run the rapids in a thousand rivers?
Would I wish I could have actually contributed something meaningful toward the betterment of mankind?
Well,
no matter. None of these things are or ever were mine to choose from. I have read a thousand
books, probably times ten, and tested myself in a thousand ways -- frequently in ways simply to dare fate and to laugh at it -- but, now, I am beginning to believe no experience of or in life means anything beyond the moment it exists. Nothing = nothing. A philosophy professor once told me when I was a college boy that he thought I was an existential nihilist. I know I certainly cross the border into that zone from time to time, but, so far, have not become a permanent resident there.
This is another unfinished post. Rather, it was written to completion, but I am not including all of it here now. Possibly, I will publish the rest of it at some point in the future. For now, this portion is enough. I have other things on my mind.
I have a busy few weeks ahead and the blogs seem to be moving slowly, for whatever reason, at least for me. So .... I take leave of you now and will not return until around mid-June or a bit later -- certainly before the arrival of the next Blue Moon -- with the possible exception of a brief tease or two should some fascination in the form of a person, place or thing pass within reach of me.
I have a busy few weeks ahead and the blogs seem to be moving slowly, for whatever reason, at least for me. So .... I take leave of you now and will not return until around mid-June or a bit later -- certainly before the arrival of the next Blue Moon -- with the possible exception of a brief tease or two should some fascination in the form of a person, place or thing pass within reach of me.
To
close out, here are two songs by Don Dokken, from my perspective one of the
best half-dozen voices of the rock era. His voice no longer has the power or range or strength it
once did; emotion still remains, but it is of the lost sort, like a memory more than a reality. None of us are forever on this earth, not even rock stars. Watching Dokken sing here is like watching the approaching fulfillment of the only promise life ever makes to each and every one of us.
Using the term "existential" correctly and not as television reporters and politicians faddishly seem to insist on using it fallaciously these days, in the "existential context" of my sometimes-belief regarding the concept that "in my end is my beginning," I might also mention the first lines of Yeats's poem. They are these:
That is no country for old men. The young
In one another's arms, birds in the trees
---Those dying generations---at their song ....
Using the term "existential" correctly and not as television reporters and politicians faddishly seem to insist on using it fallaciously these days, in the "existential context" of my sometimes-belief regarding the concept that "in my end is my beginning," I might also mention the first lines of Yeats's poem. They are these:
That is no country for old men. The young
In one another's arms, birds in the trees
---Those dying generations---at their song ....